Between La Venadita and the Medusa
DOI:
https://doi.org/10.3989/isegoria.2008.i38.405Keywords:
feminism, mysogyny, gynophobia, women artistsAbstract
Feminism has made in the last decades relevant advances towards equity between men and women in western societies. However, both mysogyny and gynophobia are still at work, giving as a result a «deflation of expectations» among women who enter the worlds of politics, information, corporations, economic power, knowledge, religion or art, and find a glass ceiling in full operation. The paper focuses on women artists, examines the anger expressed in feminist art as an answer to exclusion, and argues for feminist strategies of analysis and correction of inequalities.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2008 Consejo Superior de Investigaciones Científicas (CSIC)

This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.